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Marino Auriti (1891–1980) was an Italian-born American self-taught artist. An auto-mechanic by trade, Auriti is best known for his 1950s architectural model ''The Encyclopedic Palace of the World''. Auriti designed Encyclopedic Palace/''Palazzo Enciclopedico/Palacio Enciclopedico/Palais Encyclopédique or Monumento Nazionale. Progetto Enciclopedico Palazzo (U.S. patent no. 179,277)'' to house the entirety of worldly knowledge and human discovery: “all the works of man in whatever field, discoveries made and those which may follow.” 〔(【引用サイトリンク】title= ''Marino Auriti'', The American Folk Art Museum )〕 While the building Auriti envisioned was never realized, posthumously his architectural model has had a profound effect. In 2013, the model served as the centerpiece for the Venice Biennale. As part of the permanent collection of the American Folk Art Museum, The Encyclopedic Palace is currently on view in (''Self-Taught Genius: Treasures from the American Folk Art Museum''. ) 〔v http://www.folkartmuseum.org/?t=images&id=6430〕 ==Life and work== Born in 1891 in Guardiagrele, Italy, Auriti briefly studied architecture as a young boy. While an enduring love of architecture continued throughout his life, he developed his craft as a carriage maker. As a young man, he met and married his wife, Maria Rachele. The Great War and the ensuring rise of Fascism soon interrupted Auriti’s idyllic life. In 1915, Italy joined the Great War and Auriti enlisted as an infantryman. Afterwards, Auriti became a vehement critic of the Italian Fascist Party – a decision which ultimately prompted his immigration. After publishing a series of satirical anti-Fascist poems in the local paper, Auriti was publicly harassed by party members. He was “forced to drink castor oil in the streets by Blackshirt goon squad.”〔B.G. Firmani, ("IO VIVO! The Encyclopedic Palace Rises Again" ), ''FORTE E GENTILE'', February 6, 2012〕 In the late 1920s, after the party had taken over the family’s house in Guardiagrele, Auriti, his brother, and their families left Italy. While the family had set their sights on the United States, US immigration restrictions necessitated that they settle down in Catanduva, a city near São Paulo, Brazil. There Auriti went to work building coffee bean threshers. With the Brazilian coffee market crashing in 1929, the career was short-lived.〔Katherine Jentleson, ("From Auto Mechanic to Biennale Star: Who Was Marino Auriti?" ), The American Folk Art Museum, June 2013.〕 In 1938, Auriti, his wife, and their young daughter, who was born in 1928, moved to the United States. The family eventually settled in Kennett Square in southeastern Pennsylvania. Auriti set up an auto-body shop, where he also promoted “artistic framing” business. For Auriti the garage served as a site for all his creative projects: oil paintings of old masters and of photographs of National Geographic, and most importantly, his great architectural undertaking: ''The Encyclopedic Palace''.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Marino Auriti」の詳細全文を読む スポンサード リンク
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